everything and nothing: music critic

레이블이 music critic인 게시물을 표시합니다. 모든 게시물 표시

2013. 1. 29.

georg philipp telemann

1681-1767

* 12 Fantasias for Solo Violin

Fantasia I in B flat Major TWV40:14

Largo - Allegro ( 2:42 )
Grave ( 4:36 )
Si replica l'allegro ( 6:16 )

baroque violin, Rachel Podger
violin: Pesarinius 1739

* 12 Fantasias for flute, Fantasia 1 in A
- Rachel Brown

* Doppelkonzert a-Moll TWV 52: a 1

- Hille Perl [Gambe] und das Freiburger Barockorchester
Hille Perl und die Königin der Streichinstrumente
(Deutschland, 2011, 43mn) ZDF/ARTE

Regie: Christian Kurt Weisz
Han Tol (Blockflötist)

Hille Perl (Gambistin)

Lee Santana (Lautenist)

Petra Müllejans (Geigerin)

Orchester: Freiburger Barockorchester

* Ouverture in F-major "Alster-Echo"

for 4 horns, 2 oboes, bassoon, strings and continuo, TWV55:F11
- Orchestra: Cappella Coloniensis,
Conductor: Hans-Martin Linde

Mov.I: Ouverture 00:00
Mov.II: Die Canonierende Pallas 05:42
Mov.III: Das Alster Echo 07:53
Mov.IV: Die Hamburgischen Glockenspiele 09:47
Mov.V: Der Schwanen-Gesang 12:10
Mov.VI: Der Alster-Schäffer Dorff Music 14:11
Mov.VII: Die concertierenden Frösche und Krähen 16:17
Mov.VIII: Der ruhende Pan 18:38
Mov.IX: Der Schäffer und Nymphen eilfertiger Abzug 20:26

* Der geduldige Sokrates

Komische Oper in drei Akten

Musical Director: René Jacobs
Director: Nigel Lowery / Amir Hosseinpour
Stage & Costumes: Nigel Lowery
Choreography: Amir Hosseinpour

Marcos Fink: Sokrates
Inga Kalna: Xantippe
Kristina Hansson: Amitta
Daniel Jenz: Pitho
Michael Kranebitter: Plato
Sun-Hwan Ahn: Alcibiades
Richard Klein: Xenophon
Alexey Kudrya: Aristophanes
Sunhae Im: Rodisette
Birgitte Christensen: Edronica
Donát Havár: Melito
Matthias Rexroth: Antippo
Maarten Konigsberger: Nicia

Innsbruck Festival Chorus
Orchester der Akademie für alte Musik Berlin

www.altemusik.at

Eine Koproduktin zwischen den Innsbrucker Festwochen der Alten Musik und der Deutschen Staatsoper Unter den Linden, Berlin 2007

* Suite in G major (Don Quixote)

Orchestra Atlantis, conductor Vitezslav PODRAZIL

1 Overture (Largo Allegro)
2 Awakening of Don Quixote (Andantino)
3 His Attack on the Windmills (Moderato)
4 Sighs of Love for Princess Aline (Andante)
5 Sancho Pansa Swindled (Alegro Moderato)
6 Rosinante Galloping (Allegretto)
7 The Gallop of Sancho Pansa´s Mule
8 Don Quixote at Rest (Vivace)

Live concert at a castle Jimlin near Louny in Czech Republic

on May 26, 2012.

* Essercizii Musici

- Camerata Köln

georg friedrich haendel

1685-1759

http://en.wikipedia.org/wiki/Georg_Friedrich_Haendel

* Music for the Royal Fireworks

- Jordi Savall & Le Concert des Nations

* Water Music Suite I, F major

- Jordi Savall

* Water Music Suite II [D major] + III [G major]

- Jordi Savall

* Concerto grosso Op 6 No 11 in A Major
- Camerata Romana

1. Andante:Larghetto e staccato
2. Allegro
3. Largo e staccato
4. Andante
5. Allegro

alessandro scarlatti

1660-1725

http://en.wikipedia.org/wiki/Alessandro_Scarlatti

* 'sinfonia' from 'gli equivoci nel sembiante', 1679

Violins: Jonathan Guyonnet, Paolo Cantamessa
Viola: Yuki Koike
Viola da gamba and lirone: Elizabeth Rumsey
Double bass: Ludovic Coutineau
Theorbo: Craig Marchitelli
Tromba Marina: Giuseppe Placentino
Harpsichord and direction: Stefano Molardi

I Virtuosi delle Muse

Angers Nantes Opéra
January 14th 2010

* GLI EQUIVOCI NEL SEMBIANTE
Dramma per musica di Alessandro Scarlatti
Libretto di Domenico Filippo Contini
(Roma 1679)

Direttore: Carlo Ipata
Regia: Dagny Müller
Scene: Nicolas Bovey
Costumi: Kerry Bell
Luci: Riccardo Tonelli
Interpreti:
Armindo: Alberto Allegrezza
Clori: Giuseppina Bridelli
Eurillo: Matteo Mezzaro
Lisetta: Manuela Ranno
Orchestra: Auser Musici
Coproduzione Opera Barga - Auser Musici

Registrazione live Barga, Teatro dei Differenti 14-15 Luglio 2012-10-11

* Salve Regina, op. 2 Nr. 10

- Vokalensemble ex tempore

Florian Heyerick, conductor

* Il Primo Omicidio overo Cain Oratorio

[6 voci, soloists, strings & continuo, 1707]

- René Jacobs Akademie für Alte Musik Berlin

- Personaggi:
Caino: Bernarda Fink, alto
Abel: Graciela Oddone, soprano
Eva: Dorothea Röschmann, soprano
Adamo: Richard Croft, tenor
Voce di Dio: René Jacobs, countertenor
Voce di Lucifero: Antonio Abete, bass

- Performer:
Violins I: Bernhard Frock (solo), Midori Seiler (solo), Edburg Forck, Dörte Wetzel, Sebastian Griewisch
Violins II: Georg Kallweit, Kerstin Erben, Julita Tabisz, Barbara Paulsen
Altos: Anja-Regine Graewel, Ulrich Kiefer, Clemens Nußbaumer
Violoncelles: Jan Freiheit, Ulrike Becker
Contrbasse: Harald Winkler
Basson: Christian Beuse
Clavecin: Raphael Alpermann
Clavecin & Orgue: Attilio Cremonsei
Luth: Konard Junghänel

- Konzertmeister: Bernhard Forck
Dirigent: René Jacobs
Akademie für Alte Musik Berlin

- The Martyrdom of St Stephen by Agostino Carracci (1603-1604)

* A. Scarlatti's harpsichord variations on "La Folia"
Performed by Robert Woolley, 1989

2013. 1. 28.

franz joseph haydn

1732-1809

http://en.wikipedia.org/wiki/Joseph_Haydn

Symphony 79. F major [1784]

- Austro-Hungarian Haydn Orchestra, Adam Fischer

- orginal arrangement by Christopher Hogwood

The Symphony No. 83 in F major, Hoboken 1/79, is a symphony by Joseph Haydn. It was composed in 1784 as part of a trio of symphonies that also included symphonies 80 and 81.

The symphony is scored for flute, two oboes, two bassoons, two horns and strings. There are four movements: Allegro con spirito Adagio cantabile, 3/4 - un poco allegro, 2/2 Menuetto & Trio: Allegretto, 3/4 Finale: Vivace

The second half of the slow second movement is not slow at all and has a tempo more typical of a finale.

Much of the minuet is built on "4 + 2" six-bar phrases where the final two bars serve as a partial echo of the first four. The trio is based on a theme that is strikingly similar to the rondo finale to Mozart's first horn concerto, K. 412/386b, written in 1791.

The finale is a straightforward rondo with two episodes. The first episode has a gypsy flavor.

2013. 1. 27.

ludwig van beethoven + a

1770-1827

http://en.wikipedia.org/wiki/Beethoven

1783

portrait as a young man

1803

1804

1814

1815

1820

dead mask 1827

after his death

* Symphony No. 5 in C minor 'Fate' - 1st movement

- Berlin Philharmonic Orchestra, herbert von Karajan

* Symphony No. 5 in C minor 'Fate' - 1st movement

- Berlin Philharmonic Orchestra, herbert von Karajan

* Symphony No. 5 in C minor 'Fate' - 1st movement

- Academy of Ancient Music, Christopher Hogwood

* Symphony no.9 mvt. 4. Ode to Joy [1824]

- Berlin Philhamonic Orchestra, Herbert Van Karajan

Ode An die Freude

환희의 송가

Freude schöner Götterfunken,
Tochter aus Elysium
wir betreten feuertrunken
himmlische dein Heiligtum

환희여, 하느님의 아름다운 광채여

낙원의 딸이여 우리는 열정에 취하여

빛이 가득한 성소로 들어간다

Deine Zauber binden wieder
was die Mode streng geteilt
alle Menschen werden Brüder
wo dein sanfter Flügel weilt

분열된 가혹한 현실을

그의 신비로운 힘이 재결합시키고

그의 인자한 날개 아래서

모든 인류는 형제

Wem der große Wurf gelungen
eines Freundes Freund zu sein
wer ein holdes Weib errungen
mische seinen Jubel ein

하늘의 위대한 선물을 받은 자여

참된 벗을 얻은 자여

여인의 따뜻한 사랑을 입은 자여

함께 모여 환희의 노래를 부르자

Ja, wer auch nur eine Seele
sein nennt auf dem Erdenrund
und wers nie gekonnt der stehle
weinend sich aus diesem Bund

과연 땅위에서 그녀와 함께 하면

마음은 하나 된다 그러나 그것을
갖지 못한 이들은 비통하게 떠나간다

Ja, wer auch nur eine Seele
sein nennt auf dem Erdenrund
und wers nie gekonnt der stehle
weinend sich aus diesem Bund

이 세상의 모든 존재는

들판의 품 안에서 환희를 마시고

착한 사람이나 악한 사람이나

모두 장미의 오솔길을 기뻐하며 걷는다

Freude schöner Götterfunken,
Tochter aus Elysium
wir betreten feuertrunken
himmlische dein Heiligtum

환희여, 하느님의 아름다운 광채여

낙원의 딸이여 우리는 열정에 취하여

빛이 가득한 성소로 들어간다

Deine Zauber binden wieder
was die Mode streng geteilt
alle Menschen werden Brüder
wo dein sanfter Flügel weilt

분열된 가혹한 현실을

그의 신비로운 힘이 재결합시키고

그의 인자한 날개 아래서

모든 인류는 형제

Deine Zauber binden wieder
was die Mode streng geteilt
alle Menschen werden Brüder
wo dein sanfter Flügel weilt

분열된 가혹한 현실을

그의 신비로운 힘이 재결합시키고

그의 인자한 날개 아래서

모든 인류는 형제

프리드리히 쉴러, 환희의 송가 [1785]

http://ko.wikipedia.org/wiki/%ED%94%84%EB%A6%AC%EB%93%9C%EB%A6%AC%ED%9E%88_%EC%8B%A4%EB%9F%AC

* Symphony no.9 mvt. 4. Ode to Joy [1824]

- Christopher Hogwood conducts the Academy of Ancient Music, 1989

* Rainbow - Difficult To Cure [1984, live]

"청중의 탄생 - 청중의 자리에서 본 클래식 신화의 탄생과 해체"

와타나베 히로시 지음, 윤대석 옮김, 강, 2006.

http://www.aladin.co.kr/shop/wproduct.aspx?ISBN=8982180915

johann sebastian bach + a

johann sebastian bach, 1685 – 1750

Christ lag in Todesbanden, BWV 4, Versus 1 [1707/1724]

* Brandenburg Concerto 1 in F major, BWV 1046 - Allegro [1717]

- Herbert von Karajan, 1966

* 6 Brandenburg Concertos

- Le Concert des Nations & La Capella Reial de Catalunya, Jordi Savall

CD1

Concerto I F-dur, BWV 1046
1. Allegro
2. Adagio
3. Allegro
4. Menuetto & Trio; Polacca & Trio

Concerto II F-dur, BWV 1047
5. Allegro
6. Andante
7. Allegro assai

Concerto III G-dur, BWV 1048
8. Allegro
9. Adagio
10. Allegro

CD2

Concerto IV G-dur, BWV 1049
1. Allegro
2. Adante
3. Presto

Concerto V D-dur, BWV 1050
4. Allegro
5. Affettuoso
6. Allegro

Concerto VI B-dur, BWV 1051
7. Allegro
8. Adagio ma non tanto
9. Allegro

* Das Wohltemperirte Klavier

[bwv 846–893, 1722-1742, The Well-Tempered Clavier]

Book I Preludes And Fugues 1-24

- Glenn Gould(1932-1982)

* Aria mit verschieden Veraenderung

[Goldberg Variations] 1742

- Glenn Gould, 1981 Studio Video

* Chromatic Fantasy and Fugue [BWV 903]
Gulda, 1964

* Chromatic Fantasy - Jaco Pastorius

* chromatic fantasy - robert fripp string quintet [rfsq]

* Les Voix Humaines

- Jordi Savall

1 Prelude (Re Mineur) (Abel)

2 Allemande BWV 1011 (Re Mineur) (Bach)

3 Aria Burlesca (Re Mineur) (Schenck)

4 La Cloche (Fa Majeur) (Playford)

5 Saraband (Fa Majeur) (Playford)

6 Prelude (Re Mineur) (De Machy)

7 Les Voix Humaines (Re Majeur) (Marais)

8 La Du Vaucel (Forqueray)

9 Vivace (Telemann)

10 Harke, Harke (Sol Mineur) (Hume)

11 Plainte (Do Majeur) (D'Hervelois)

12 Menuet I-II BWV 1007 (Do M) (Bach)

13 Gigue BWV 1007 (Do M) (Bach)

14 Good Againe (Sol Majeur) (Hume)

15 Prelude (Mi Mineur) (Sainte-Colombe Le Fils, X. XVII)

16 Sarabande a L'Espagnol (Mi Mineur) (Marais)

17 The Lancashire Pipes (Mi Majeur) (Anonyme Ca., 1660)

18 Fantaisie en Rondeau (Sol Mineur) (Sainte-Colombe Le Fils)

19 Sarabande (Sol Mineur) (Bach)

20 Double (Sol Mineur) (Bach)

21 Bourrée BWV 1010 (Sol Majeur) (Bach)

* Ton Koopman and Jordi Savall

claudio monteverdi

claudio monteverdi, 1567-1643

http://en.wikipedia.org/wiki/Claudio_Monteverdi

* Zefiro Torna , oh di soavi accenti
- N. Rial, P.Jaroussky
L'arpeggiata Ensemble

L' ORFEO

- Jordi Savall

21:00-32:00

L'Orfeo

-music director: René Jacobs

orfeo: Simon Keenlyside

choreography: Trisha Brown

Taccata, Ritornelo and Prologue [l'Orfeo]

Ohimé, se tanto amate

* lamento della ninfa

Phoebus had not yet brought daylight to the world when a damsel came out of her dwelling. Her suffering was plain on her face, and frequently she let great sighs loose from her heart. Thus trampling the flowers, she wandered here and there, and her lost love she thus wept: "Love," she said, stopping to look at the heavens, "where, where is the faith that the traitor swore to me? Let my love return as he was, or else kill me, so that I may no longer torment myself." Poor wretch, alas, nol longer can she suffer such scorn. "I don't want him to sigh except away from me, I no longer want him to confide his sufferings in me. Because I suffer for him, he is proud; will he beseech me if I flee from him? She may have a more serene brow than mine, but even Love's breast does not harbor such beautiful constancy. Never will he have such sweet kisses from that mouth, nor softer - be still, be still, that he knows all too well. Thus among scornful weeping she scattered her laments to the sky; thus in lovers' hearts Love mixes flame and ice.

* Lamento della Ninfa
from "Madrigali guerrieri ed amorosi, 1638"
(Ottavo Libro de' Madrigali)

Text: Ottavio Rinuccini

Part I: Non havea Febo ancora (TTB)
Part II: Amor, dicea (STTB)
Part III: Si, tra sdegnosi pianti (TTB)

Montserrat Figueras, soprano
Lambert Climent, tenor
Francesc Garrigosa, tenor
Daniele Carnovich, bass

La Capella Reial de Catalunya,
Jordi Savall
Auvidis, 1995

Recorded in the Protestant church (temple) of Ribeauvillé, France, in 1994

Lamento della ninfa is the 18th piece
from Monteverdi's eighth book of madrigals (Madrigali guerrieri ed amorosi, 1638).
The three male voices narrate the story and offer empathy to the nymph
while she is lamenting over her abandonment.
This movement of the madrigal is a beautiful example for Phrygian progression
with the ostinato of its bass line in four descending notes all the way through.
The inner turmoil and sorrow of the nymph is mirrored in the music
by the melodic and harmonic dissonances.

Non havea Febo ancora
recato al mondo il dì
ch'una donzella fuora
del proprio albergo uscì.

Sul pallidetto volto
scorgease il suo dolor,
spesso gli venia sciolto
un gran sospir dal cor.

Sì calpestando fiori,
errava hor qua, hor là,
i suoi perduti amori
così piangendo va:

"Amor," dicea, il ciel
mirando il piè fermò
"dove, dov'è la fé
che 'l traditor giurò?

Fa che ritorni il mio
amor com'ei pur fu,
o tu m'ancidi, ch'io
non mi tormenti più."

Miserella, ah più no,
tanto gel soffrir non può.

"Non vo' più che i sospiri
se non lontan da me,
no, no, che i suoi martiri
più non dirammi, affé!

Perché di lui mi struggo
tutt'orgoglioso sta,
che sì, che sì se 'l fuggo
ancor mi pregherà?

Se ciglio ha più sereno
colei che 'l mio non è,
già non rinchiude in seno
Amor si bella fé.

Né mai si dolci baci
da quella bocca havrai,
né più soavi; ah, taci,
taci, che troppo il sai."

Sì tra sdegnosi pianti
spargea le voci al ciel;
così ne' cori amanti
mesce Amor fiamma e gel.

Phoebus had not yet
brought daylight to the world
when a damsel
came out of her dwelling.

Her suffering was plain
on her face,
and frequently she let
great sighs loose from her heart.

Thus trampling the flowers,
she wandered here and there,
and her lost love
she thus wept:

"Love," she said, stopping
to look at the heavens,
"where, where is the faith
that the traitor swore to me?

Let my love return
as he was,
or else kill me, so that I
may no longer torment myself."

Poor wretch, alas, nol longer
can she suffer such scorn.

"I don't want him to sigh
except away from me,
I no longer want him
to confide his sufferings in me.

Because I suffer for him,
he is proud;
will he beseech me
if I flee from him?

She may have a more serene
brow than mine,
but even Love's breast
does not harbor such beautiful constancy.

Never will he have such sweet kisses
from that mouth,
nor softer - be still,
be still, that he knows all too well.

Thus among scornful weeping
she scattered her laments to the sky;
thus in lovers' hearts
Love mixes flame and ice.

* Duo Seraphim

- from Vespro della Beata Vergine
[transcription for two cellos and bass]

Sonia Wieder-Atherton and Natalia Shakhovskaia, cellos