- Marc Antoine Charpentier, Versailles 2007. Jordi Savall, Le Concert des Nations
0:01:31 Canticum in honorem Beate Virginis Mariae. 0:18:00 Stabat Mater pur des religieuses. 0:34:10 Litanies de la Vierge à 6 voix et 2 dessus de violes. 0:51:45 Missa assumpta est Maria
* Teuzzone (opera in 3 acts)
- Le Concert des Nations, Jordi Savall
Paolo Lopez, Raffaella Milanesi, Delphine Galou, Roberta Mameli,
Furio Zanasi, Antonio Giovannini, Makoto Sakurada
* Violin and Viola da Gamba Concerto in A Major RV 546, I movement Allegro
- Le Concert des Nations, Jordi Savall
Manfredo Kraemer [Violin], Jordi Savall [Viola da Gamba]
* Variations on "La Follia", Trio sonata for two violins and basso continuo
Op. 1 No. 12 RV63
- Hesperion XXI, Jordi Savall
"La Folia" is one of the oldest European musical themes. This chord progression has been put to music many times by composers such as Arcangelo Corelli, C.P.E. Bach, Antonio Vivaldi, Allesandro Scarlatti, and Marin Marais.
* "Gelido in ogni vena" da "Farnace", Furio Zanasi, Farnace
- Jordi Savall, Le Concert des Nations
* antonio's song/the rainbow - michael franks
Antonio lives life's frevo
Antonio prays for truth
Antonio says our friendship
Is a hundred-proof
The vulture that circles Rio
Hangs in this L.A. sky
The blankets they give the Indians
Only make them die
But sing the Song
Forgotten for so long
And let the Music flow
Like Light into the Rainbow
We know the Dance, we have
We still have the chance
To break these chains and flow
Like Light into the Rainbow
Antonio loves the desert
Antonio prays for rain
Antonio knows that Pleasure
Is the child of Pain
And lost in La Califusa*
When most of my hope was gone
Antonio's samba led me
To the Amazon
We sing the Song
Forgotten for so long
And let the music flow
Like Light into the Rainbow
We know the Dance, we have
We still have the chance
To break these chains and flow
Like Light into the Rainbow.
* vivaldi's song
Lady, when you love me I feel
Home-sweet-home inside of your Sublime
This Garden's sure to grow you know
Our love is just like Summertime
Parrots eye the fruit and we make love
Between the harpsichords and lutes?
Our greenlimbs intertwine, you know
Our love is just like Summertime
Our souls collide
We slip and slide
We feel no pain
And with our lives locked together
We weather the Wind and Rain
We grow the Farm
We're safe from Harm
Inside this Circle of Summertime
Both of us know is our Love
Lovers from the Past with poison smiles
All pray our love will never last
But we are Trees not Vines, you know
Our love is just like Summertime
As the song begins these shipwrecks fade
Behind a wave of violins;
Vivaldi made us rhyme, you know
Our love is just like Summertime.
* 12 Fantasias for flute, Fantasia 1 in A
- Rachel Brown
* Doppelkonzert a-Moll TWV 52: a 1
- Hille Perl [Gambe] und das Freiburger Barockorchester
Hille Perl und die Königin der Streichinstrumente
(Deutschland, 2011, 43mn) ZDF/ARTE
Regie: Christian Kurt Weisz
Han Tol (Blockflötist)
Hille Perl (Gambistin)
Lee Santana (Lautenist)
Petra Müllejans (Geigerin)
Orchester: Freiburger Barockorchester
* Ouverture in F-major "Alster-Echo"
for 4 horns, 2 oboes, bassoon, strings and continuo, TWV55:F11
- Orchestra: Cappella Coloniensis,
Conductor: Hans-Martin Linde
Mov.I: Ouverture 00:00
Mov.II: Die Canonierende Pallas 05:42
Mov.III: Das Alster Echo 07:53
Mov.IV: Die Hamburgischen Glockenspiele 09:47
Mov.V: Der Schwanen-Gesang 12:10
Mov.VI: Der Alster-Schäffer Dorff Music 14:11
Mov.VII: Die concertierenden Frösche und Krähen 16:17
Mov.VIII: Der ruhende Pan 18:38
Mov.IX: Der Schäffer und Nymphen eilfertiger Abzug 20:26
* Der geduldige Sokrates
Komische Oper in drei Akten
Musical Director: René Jacobs
Director: Nigel Lowery / Amir Hosseinpour
Stage & Costumes: Nigel Lowery
Choreography: Amir Hosseinpour
Marcos Fink: Sokrates
Inga Kalna: Xantippe
Kristina Hansson: Amitta
Daniel Jenz: Pitho
Michael Kranebitter: Plato
Sun-Hwan Ahn: Alcibiades
Richard Klein: Xenophon
Alexey Kudrya: Aristophanes
Sunhae Im: Rodisette
Birgitte Christensen: Edronica
Donát Havár: Melito
Matthias Rexroth: Antippo
Maarten Konigsberger: Nicia
Innsbruck Festival Chorus
Orchester der Akademie für alte Musik Berlin
Eine Koproduktin zwischen den Innsbrucker Festwochen der Alten Musik und der Deutschen Staatsoper Unter den Linden, Berlin 2007
* Suite in G major (Don Quixote)
Orchestra Atlantis, conductor Vitezslav PODRAZIL
1 Overture (Largo Allegro)
2 Awakening of Don Quixote (Andantino)
3 His Attack on the Windmills (Moderato)
4 Sighs of Love for Princess Aline (Andante)
5 Sancho Pansa Swindled (Alegro Moderato)
6 Rosinante Galloping (Allegretto)
7 The Gallop of Sancho Pansa´s Mule
8 Don Quixote at Rest (Vivace)
Live concert at a castle Jimlin near Louny in Czech Republic
- Simca Heled, violoncello The Israel Sinfonietta, Mendi Rodan, conductor
* Alfred Deller sings Couperin: "Première leçon" [1714] - PART I
Part 1 of 2: The beginning of the "First Lesson" from Couperin's magnificent "Leçons de ténèbres" with countertenor Alfred Deller. Desmond Dupré, viola da gamba, and Harry Gabb, organ.
* 'sinfonia' from 'gli equivoci nel sembiante', 1679
Violins: Jonathan Guyonnet, Paolo Cantamessa Viola: Yuki Koike Viola da gamba and lirone: Elizabeth Rumsey Double bass: Ludovic Coutineau Theorbo: Craig Marchitelli Tromba Marina: Giuseppe Placentino Harpsichord and direction: Stefano Molardi
I Virtuosi delle Muse
Angers Nantes Opéra January 14th 2010
* GLI EQUIVOCI NEL SEMBIANTE Dramma per musica di Alessandro Scarlatti Libretto di Domenico Filippo Contini (Roma 1679)
Direttore: Carlo Ipata Regia: Dagny Müller Scene: Nicolas Bovey Costumi: Kerry Bell Luci: Riccardo Tonelli Interpreti: Armindo: Alberto Allegrezza Clori: Giuseppina Bridelli Eurillo: Matteo Mezzaro Lisetta: Manuela Ranno Orchestra: Auser Musici Coproduzione Opera Barga - Auser Musici
Registrazione live Barga, Teatro dei Differenti 14-15 Luglio 2012-10-11
* Salve Regina, op. 2 Nr. 10
- Vokalensemble ex tempore
Florian Heyerick, conductor
* Il Primo Omicidio overo Cain Oratorio
[6 voci, soloists, strings & continuo, 1707]
- René Jacobs Akademie für Alte Musik Berlin
- Personaggi: Caino: Bernarda Fink, alto Abel: Graciela Oddone, soprano Eva: Dorothea Röschmann, soprano Adamo: Richard Croft, tenor Voce di Dio: René Jacobs, countertenor Voce di Lucifero: Antonio Abete, bass
- Performer: Violins I: Bernhard Frock (solo), Midori Seiler (solo), Edburg Forck, Dörte Wetzel, Sebastian Griewisch Violins II: Georg Kallweit, Kerstin Erben, Julita Tabisz, Barbara Paulsen Altos: Anja-Regine Graewel, Ulrich Kiefer, Clemens Nußbaumer Violoncelles: Jan Freiheit, Ulrike Becker Contrbasse: Harald Winkler Basson: Christian Beuse Clavecin: Raphael Alpermann Clavecin & Orgue: Attilio Cremonsei Luth: Konard Junghänel
- Konzertmeister: Bernhard Forck Dirigent: René Jacobs Akademie für Alte Musik Berlin
- The Martyrdom of St Stephen by Agostino Carracci (1603-1604)
* A. Scarlatti's harpsichord variations on "La Folia" Performed by Robert Woolley, 1989
The Symphony No. 83 in F major, Hoboken 1/79, is a symphony by Joseph Haydn. It was composed in 1784 as part of a trio of symphonies that also included symphonies 80 and 81.
The symphony is scored for flute, two oboes, two bassoons, two horns and strings. There are four movements: Allegro con spirito Adagio cantabile, 3/4 - un poco allegro, 2/2 Menuetto & Trio: Allegretto, 3/4 Finale: Vivace
The second half of the slow second movement is not slow at all and has a tempo more typical of a finale.
Much of the minuet is built on "4 + 2" six-bar phrases where the final two bars serve as a partial echo of the first four. The trio is based on a theme that is strikingly similar to the rondo finale to Mozart's first horn concerto, K. 412/386b, written in 1791.
The finale is a straightforward rondo with two episodes. The first episode has a gypsy flavor.
