Phoebus had not yet brought daylight to the world when a damsel came out of her dwelling. Her suffering was plain on her face, and frequently she let great sighs loose from her heart. Thus trampling the flowers, she wandered here and there, and her lost love she thus wept: "Love," she said, stopping to look at the heavens, "where, where is the faith that the traitor swore to me? Let my love return as he was, or else kill me, so that I may no longer torment myself." Poor wretch, alas, nol longer can she suffer such scorn. "I don't want him to sigh except away from me, I no longer want him to confide his sufferings in me. Because I suffer for him, he is proud; will he beseech me if I flee from him? She may have a more serene brow than mine, but even Love's breast does not harbor such beautiful constancy. Never will he have such sweet kisses from that mouth, nor softer - be still, be still, that he knows all too well. Thus among scornful weeping she scattered her laments to the sky; thus in lovers' hearts Love mixes flame and ice.
* l'orfeo -claudio monteverdi
music director: René Jacobs,
Orfeo: Simon Keenlyside,
choreography: Trisha Brown
ORPHEUS:
See now, I return to you,
dear woods and beloved hills,
made blessed by that sun
through whom alone my darkness is lightened.
FIRST SHEPHERD:
Look, Orpheus, how the shade
of those beech trees invites us,
now that Phoebus darts
burning rays from heaven.
On these grassy banks
let us rest, and let each
in his own way let loose his voice
to the murmur of the waters.
FIRST & SECOND SHEPHERDS:
In this flowery meadow
every sylvan deity
is often wont
to linger for his pleasure.
Here Pan, the shepherds' god,
has sometimes been heard lamenting,
sweetly recalling
his unrequited loves.
CHORUS of NYMPHS & SHEPHERDS:
Here the charming dryads,
a company always decked with flowers,
have been seen gathering roses
with white fingers.
Therefore, Orpheus, make worthy
of the sound of your lyre
these fields, where there blows
a breeze with the perfumes of Araby.
ORPHEUS:
Do you recall, O shady woods,
my long, bitter torments,
when the rocks, their hearts softened,
replied to my laments?
Say, did I not then seem to you
more wretched than any other?
Now Fortune has changed her tune
and turned my woes into rejoicing.
Once I lived in sadness and sorrow;
now I rejoice, and those anxieties
that I have suffered for so many years
make my present happy state more dear.
Through you alone, lovely Eurydice,
I bless my torments;
after sorrow, one is all the more content,
after woe, one is all the happier.
FIRST SHEPHERD:
See, O see, Orpheus, how all around
the woods and the meadow smile.
Then continue, with your golden plectrum,
to sweeten the air on so blessed a day.
* 12 Fantasias for Solo Violin, Fantasia I in B flat Major TWV 40:14
* Alva Noto + Ryuichi Sakamoto with Ensemble Modern - UTP
* A Fire In The Forest - David Sylvian [live, 2004]
- at the Woman's University, Hitoini Memorial Hall, Tokyo, Japan.
* starless - king crimson [red, 1975]
Robert Fripp: guitar, mellotron
John Wetton: bass guitar, vocals
Bill Bruford: drums, percussion
David Cross: violin
Mel Collins: soprano saxophone
Ian McDonald: alto saxophone
Sundown dazzling day
Gold through my eyes
But my eyes turned within
Only see
Starless and bible black
Old friend charity
Cruel twisted smile
And the smile signals emptiness
For me
Starless and bible black
Ice blue silver sky
Fades into grey
To a grey hope that oh yearns to be
Starless and bible black
* Oblivion - Al Di Meola
Album: Plays Piazzolla (1990)
* Tango Suite, Part 1
- in Al Di Meola played Astor Piazzolla [1991]
Conductor: Zubin Mehta Royal Philharmonic Orchestra Covent Garden 1991
* habanera [carmen]
Carmen - Anna Caterina Antonacci
The Royal Opera Chorus - Renato Balsadonna
The Orchestra of the Royal Opera House Covent Garden - Antonio Pappano
* Chanson bohème [Carmen]
Kirsten Wolke, Olaf Van Gonnissen, Jorgos Panetsos, Stephan Beck und Stephan Wolke spielen beim Abschlusskonzert des 3. Börsteler Gitarrenseminars am 19.07.2009 das Stück aus der Carmen von Georges Bizet. Das Konzert fand in der Stiftskirche des Stiftes Börstel statt.
Stephan Wolke hat die Bearbeitung für Gesang und 4 Gitarren erstellt. Das 4. Börsteler Gitarrenseminar wird in der Zeit vom 22.07. bis zum 25.07.2010 im Stift Börstel stattfinden. Infos und Anmeldungsformular unter http://www.gitarrenseminar-boerstel.de
* Maria Callas, Nicolai Gedda, Etc.; Georges Prêtre: Paris National Opera Orchestra & Chorus - Bizet: Carmen - Les Tringles Des Sistres Tintaient ... Chanson Boheme
* Farandole from ''L'Arlesienne Suite No.2''
*
* Carmen Suite No. 2 - Nocturne
Conductor: Alfred Scholz Orchestra: London Festival Orchestra
* Carmen Suite No.2, Chanson du Toréador
* Carmen [full opera]
Carlos Kleiber: Vienna Opera, 1978
* Je crois entendre encore, Romance, No. 4, Nadir's aria from Act I of the French opera, Les Pêcheurs de Perles Libretto : Michel Carré and Eugène
Je crois entendre encore, Caché sous les palmiers, Sa voix tendre et sonore Comme un chant de ramier! O nuit enchanteresse! Divin ravissement! O souvenir charmant! Folle ivresse! doux rêve!
Aux clartés des étoiles, Je crois encore la voir, Entr'ouvrir ses longs voiles Aux vents tièdes du soir! O nuit enchanteresse! Charmant souvenir!
I think I'm still hearing Hidden under the palm trees Her tender and sound voice Like the song of a woodpigeon O enchanted night Divine rapture O charming souvenir Crazy intoxication! Sweet dream!
In the clearness of the stars I think I'm still seeing her Opening her long veils To the warm winds of the evening O enchanted night Divine rapture O charming souvenir Crazy intoxication! Sweet dream!
robert flack - feel like makin' love을 커버한 곡입니다. 커버라기 보다는 리메이크라고 해야 할까요? d'angelo는 r&b를 부르는 가수인데, 90년대 후반부터 2000년대 초반까지 잘 활약하다가 마약중독 때문에 고생을 하다가 최근에 다시 투어를 하면서 음악을 하고 있습니다. 섹스어필로 여성팬들에게 엄청난 사랑을 받았다고 하더군요.
roberta flack [original version, 1974]
2. Mos def - Life is good
90년대에 언더그라운드 힙합씬을 중-후반을 수 놓았던 'RAWKUS'라는 레이블의 간판 랩퍼 입니다. 로커즈는 2000년대 초반에 문을 닫게 되는데 모스뎊은 그 뒤로도 꾸준한 활동을 하면서 더욱더 명성을 높이게 됩니다. 중고 책방을 운영하면서 책을 많이 읽은 탓인지, 가사가 워낙 깊이가 있어서 'Lyricist'라는 별명(?)을 얻었다고 합니다.
3. Nujabes - Lady brown
선생님도 아시리라 믿는 부분이지만, 일본이 음악적인 인프라(사람과 기술)가 상당히 발달되어서 그런지 몰라도 꽤나 괜찮은 프로듀서들이 많습니다. 누자베스 역시 일본의 언더그라운드 힙합씬을 대표하는 프로듀서였는데요. 그런데 안타깝게도 2011년이었던가 교통사고로 사망을 했습니다. ㅜㅜ 일본힙합의 특징이 굉장히 감수성을 자극하는 감미로운 멜로디를 도입하는 것인데, 특히 누자베스가 이를 많이 발전 시켰습니다.
4. 가리온 - 생명수
우리나라에도 "힙합"이라는 장르의 음악을 하는 뮤지션들이 많았지만 미국에서 수입된 "힙합"의 형식(음악적 형식)을 추구했던 뮤지션들은 많지 않았다고 생각합니다. 선생님이 전에 말씀하셨 듯이, "방법론을 넘어 문제의식마저도 수입하는 것"은 문제가 있지 않나 라고 하셨던 것이 기억나는데요. 공중파를 누비던 대부분의 아티스트들이 "문제의식"을 노래했다면, 가리온이라는 언더그라운드 팀은 "방법론"을 중심으로 한국의 힙합씬을 키워왔습니다. 미국의 힙합 아티스트들이 "사회불만"과 "저항"을 중심으로 이야기를 했다면, 가리온은 우리의 정서에 맞는 "음악적 다양성"의 인정에 대한 이야기를 주제로 방법론을 풀어나가기 시작했던것 같습니다. 15년이 넘도록 공중파가 아닌 음지에서 음악을 하며 한국인의 정서에 맞는 힙합을 가꾸어 왔다는 점에서 매우 높은 평가를 받고 있는 팀입니다.
